International Scientific Conference «Ibsen, Hamsun, Chekhov: then and now»
![International Scientific Conference «Ibsen, Hamsun, Chekhov: then and now»](https://api.chekhovmuseum.com/upload/iblock/487/cls2q0pjzhhsompwfwai9skn561vwa4j/0b465e8f1e323d60f4a75fa8e9cea167.jpg)
Russian State University for the Humanities.
The State Literary and Memorial Museum-Reserve of A.P. Chekhov "Melikhovo".
International Scientific Conference "Ibsen, Hamsun, Chekhov: then and now".
Program
(March 26-28, Moscow - Melikhovo)
1. Hamsun is a reader of plays by Ibsen
2. Matching keynotes in the works of Ibsen and Hamsun
Even Arntsen, Doctor of Philology, Professor at the University of Tromso, Norway
3. Knut Hamsun's "The Game of Life" in the context of Konstantin Stanislavsky stage productions and interaction with the landscape
Knut Ove Arntzen, Doctor of Art History, Professor at the University of Bergen
4. The language of dramas by Ibsen in terms of modernity and issues of translation strategy
Olga Drobot, PhD in Philology, translator
5. Knut Hamsun in Russian (from the experience of a literary critic and translator)
Eleonora Pankratova, PhD in Philology, literary critic, translator
6. Meeting with director A.V. Burdonsky and the actors of the theater.
Fragments from the play "Silver Bells"
(based on the play by G. Ibsen "Yun Gabriel Borkman").
Discussion. Moderator - Marina Astafyeva
7. Henrik Ibsen, Andrei Bely and Russian Symbolism: some observations on the unusual history of perception
Lillian Helle, Professor at the University of Bergen
8. Space and Emptiness in novel Hunger by Knut Hamsun (1890) and Growth of the Soil (1917)
Andreas Ledemel, PhD student at the Knut Hamsun Center at Nordland University
9. The influence of K. Hamsun on Alexey Kruchenykh and his "Manifesto"
Natalia Budur, writer, literary critic, translator
10. Chekhov, Hamsun and Anna Akhmatova (the play "The Seagull" in the context of the Silver Age)
Maya Volchkevich, Candidate of Philology, Associate Professor of the Russian State University for the Humanities
11. A fragment of the play "Doll's House" (2000) of the Lipetsk State Academic Drama Theater named after Leo Tolstoy. Director of Photography Vladimir Pakhomov.
12. Peer Gynt by Ibsen: ALiterary Character and Norwegian Identity
Tatyana Chesnokova, PhD in Philology, literary critic, translator
13. "Swanhild: Theatrical Time and Space in the world premiere by Lars Øyno. Staging of Ibsen's 1860 prose drama
Brendan McColl, Master's student at the Ibsen Center for the Study, University of Oslo
14. Hedda Gabler and her double. Modern productions in Danish theaters
Annelis Kuhelman, Doctor of Art History, Associate Professor at Aarhus University, Denmark
15. "Ibsen's Theater" on the Russian private stage
Elena Streltsova, PhD. art criticism, theater critic
16. Peer Gynt on the stage of the theater of the Center for Drama and Directing established by Alexei Kazantsev and Mikhail Roshchin
Natalia Somova, director, artist
17. Ibsen and Chekhov: Gender space: windows, views and exit doors
Astrid Seter, Associate Professor at the Ibsen Center for Creative Studies at the University of Oslo
18. The theater as a place of perception and repoliticization. A discussion about the nature of theatrical performances and the relationship between the audience and the actors, based on the productions of Chekhov and Ibsen plaqys in 1987 and 2014 in Moscow
Jun Nygor, Doctor of Art History, Professor of the Centre for Ibsen Studies at the University of Oslo.
Alina Aleshchenko, Master's student of the Centre for Ibsen Studies at the University of Oslo.
19. "Uncle Vanya" and Hamsun's dramaturgy on the stage of the Moscow Art Theater in the post-Chekhov period
Margarita Odesskaya, Doctor of Philology, Professor, the Russian State University for the Humanities RSUH
20. The Ghostly life of a "theoretical man": the Nietzschean layer in the "A Dreary Story" and "The Man in the Case"
Sergey Tikhomirov Moscow State Pedagogical University
21. Chekhov's cupboard ninety years later
Yuri Domansky, Doctor of Philology, Professor of the Russian State University
22. "The Waltzing" by A.P. Chekhov: about the motive of the waltz in the writer's work
Ekaterina Egorova, Candidate of Philology, Associate Professor, Moscow State Pedagogical University
23. Rehearsal of the play "The Seagull"
Meeting with director Vladimir Baicher and the actors of the Chekhov Studio Theater.