International Scientific Conference
Chekhov: texts and contexts
(A.P. Chekhov's legacy in world culture)

January 24-28, 2020

Venue: A.P. Chekhov Museum-Reserve "Melikhovo"

The 25th of January

PLENARY SESSION

Vladimir Borisovich Kataev (Moscow, Lomonosov Moscow State University).

Chekhov's texts in the contexts of the XXI century.

Dimitrov Lyudmila Ivanov (Sofia, St. Clement Ohridski Sofia University).

(Not)Platonic Feast of Platon(ov). Once again about the so-called first play by Chekhov.

Sukhikh Igor Nikolaevich (St. Petersburg, St. Petersburg State University). “A Dreary Story”: an unread novel, an unreleased film.

Valery Igoryevich Tyupa (Moscow, Russian State University for the Humanities). The narrative strategy of a mature story by Chekhov.

Kuzicheva Alevtina Pavlovna (Moscow).

The text and context of letters by Chekhov (in relation to the formulation of the problem).

Kibalnik Sergey Akimovich (St. Petersburg, Institute of Russian Literature (Pushkin House) of the Russian Academy of Sciences, St. Petersburg State University).

A medical prescription as a microtext in Chekhov's prose and drama (based on his notebooks).

SECTION "BIOGRAPHY. CULTURAL AND HISTORICAL CONTEXT"

Kapustin Dmitry Timofeevich (Moscow).

Anton Chekhov: travels in Europe.

Mikhail Sergeevich Drozdov (Chernogolovka, N.N. Federal Research Center Nikolai Semenov Institute of Chemical Physics).

The Moscow merchants Gavrilovs as the employers of the Chekhov family.

Zhuravleva Anastasia Anatolyevna (Moscow region, A.P. Chekhov Museum-Reserve "Melikhovo").

Chekhov as a correspondent of the Department of Rural Economy and Agricultural Statistics of the Ministry of Agriculture and State Property.

Gus’kova Irina Borisovna (Moscow, V.A. Telyakovsky Foundation).

"He charmed me..." V.A. Telyakovsky's diary and memoirs about A.P. Chekhov.

Makarevich Anna Nikolaevna (Moscow).

Serov and Chekhov. The story of friendly relationship and a watercolor portrait in 1902.

Ershova Alina Andreevna (Kazan, Kazan Federal University).

A.P. Chekhov in the Kazan press of the twentieth century.

Yakusheva Lyudmila Alentinovna (Vologda, Vologda State University).

Chekhov diagnosis: cultural " freezings" of the turn-of-the-century epochs.

Akhmetshin Ruslan Borisovich (Moscow, Lomonosov Moscow State University).

A letter as a form of literary co-creation.

Elena Evgenievna Yablonskaya (Moscow).

"My Chekhov" as a genre of popular science literature (presentation of the book by E.E. Yablonskaya "After Chekhov: Notes of “Antonovka").

SECTION "CHEKHOV IN ART"

Margarita Moiseevna Odesskaya (Moscow, Russian State University for the Humanities). 

Modern trends in the interpretation of Chekhov's works in theater and cinema.

Sterkina Natalia Iosifovna (Moscow, All-Russian State Institute of Cinematography VGIK).

Screen version  of story "Ward No. 6" by Anton Chekhov (films by Karen Shakhnazarov and Kirill Serebryanikov).

Puneva Konstantin Ruslanova (Sofia, Sofia University "St. Kliment Ohridski").

About a dramatic plot in Chekhov's prose: The structure and concept of the play "About one phenomenon from Electricity" (directed by Stiliyan Petrov).

Fomina Victoria Andreevna (Moscow, Moscow State University of Psychology and Education).

The motives of the "Cherry Orchard" in a film "The Magnificent Ambersons" by Orson Welles

Nyagolova Natalia Dimitrova (Viliko Tarnovo; Moscow, the St. Cyril and St. Methodius University of Veliko Tarnovo – Lomonosov Moscow State University).

A thing – a body – a flashback in "The Seagull" directed by Michael Mayer.

Zvereva Tatyana Vyacheslavovna (Izhevsk, Udmurt State University).

A.P. Chekhov in the context of Russian animation.

Shapchenko Yulia Pavlovna (Moscow, Russian State Library).

Stories for children by Chekhov interpreted by Soviet illustrators.

January 26

DRAMA AND THEATER SECTION

Monisova Irina Vladimirovna (Lomonosov Moscow State University).

Chekhov performance as an object of study.

Nikoletich Sandra (Croatia).

Chekhov's plays in the modern theater: classics or "based on motives"?

Murzinova Vera Vadimovna (Moscow, Russian State Library of Arts).

Plays by Chekhov on the modern foreign opera stage (based on the materials of the Russian State Library of Arts).

Hasmik Ashotovna Amiragyan (Barcelona, Pompeu Fabra University).

Plays by Chekhov plays staged in Barcelona theaters nowadays.

Afanasyev Sergey Nikolaevich, Glembotskaya Yana Olegovna (Novosibirsk, Novosibirsk State Theater Institute).

"The Cherry Orchard" by Sergei Afanasyev: the director's invariant in conception and incarnations.

Streltsova Elena Ivanovna (Moscow, A. A. Bakhrushin State Central Theatre Museum).

Theatrical legacy: "Uncle Vanya" – "Three Sisters" – "Cherry Orchard" as a stage trilogy.

Dubrovina Svetlana Nikolaevna (Moscow, Solzhenitsyn House of the Russian Diaspora).

The legacy of A.P. Chekhov at the Georges Pitoëff Theater.

Maryakhina Elena Alexandrovna (Moscow, Russian State University for the Humanities).

The material world in "Cherry Orchard" by Nikolai Kolyada.

Golomb Harai (Tel-Aviv University).

The Poetics of Chekhov's Plays Viewed from Theoretical, Historical and Comparative-Art Perspectives.

Litavrina Marina Gennadievna (Moscow, Russian Institute of Theatre Arts (GITIS), Lomonosov  Moscow State University).

Around the text. The role of Elena Andreevna: a dialogue between the actress and the author.

Bigildinskaya Olga Viktorovna (Moscow, Russian State Academic Youth Theater).

Chekhov's "Three Sisters" and the sound palette of the play: problems of interpretation.

Tyutelova Larisa Gennadievna (Samara, Samara University).

The main character of Chekhov's vaudeville in the context of a "big drama" (in relation to the problem of author's communicative strategies).

Kubasov Alexander Vasilyevich (Yekaterinburg, Ural State Pedagogical University).

Gender inversion in A.P.Chekhov's dramatic sketch "The Night before the Trial".

Natalia Markovna Shcharenskaya (Rostov-on-Don, Southern Federal University).

The cartogram of Dr. Astrov and its metaphorical meaning.

Anatoly Samuilovich Sobennikov (Peterhof, Military Institute of Railway and Military Academy).

“The Seagull“ by A.P. Chekhov in the aspect of gender psychology.

Domansky Yuri Viktorovich (Moscow, Russian State University for the Humanities; A. A. Bakhrushin State Central Theatre Museum).

The aesthetics of Dorn.

Maya A. Volchkevich (Moscow, Representative Office of Middlebury College in Russia).

The lady has come from Paris (the context of Ranevskaya's "French" life).

Lyudmila Arkadyevna Kastler (Grenoble, Grenoble Alpes University). 

Chekhov in the French theatrical context of the beginning of the XXI century.

THE EPIC SECTION

Maximova Ekaterina Sergeevna (Rostov-on-Don, Southern Federal University).

Dynamic panorama as an element of the optics of Chekhov's text.

Grigoryan Gohar Arturovna (Moscow, Lomonosov Moscow State University).

The "Apathetic" nature in the works by A.P. Chekhov.

Edgar G. Manukyan (Rostov-on-Don, Southern Federal University).

The paralinguistic characteristics of the language of the clergy in the works by A.P. Chekhov.

Stepanov Andrey Dmitrievich, Stepanova Alla Sergeevna (St. Petersburg, St. Petersburg State University).

The image of a public officer in Chekhov's physiological essay and humoristics.

Olga V. Spachil (Krasnodar, Kuban State University).

A.P. Chekhov's short story "Kashtanka" in the Norton anthology of "Friendship".

Izotova Natalia Valeryanovna (Rostov-on-Don, Southern Federal University).

Dreams and insomnia of the characters in novella "Three Years" by A.P. Chekhov: linguistic features of the presentation.

Ekaterina Vinogradova (Moscow, Russian State University for the Humanities). 

Conceptualization of space in novella "My Life" by A.P. Chekhov.

Gnusova Irina Fedorovna (Tomsk, National Research Tomsk State University).

Chekhov's short story "At the Mill" in the context of the Russian and English literary tradition.

Korablev Alexander Alexandrovich (Donetsk, Donetsk National University).

"The Steppe (novella)" by Chekhov: context and subtext.

Novikova Natalia Vladislavovna (Saratov, Saratov Chernyshevsky State University).

Once again about Mavra, "a healthy and by no means stupid woman."

Leksina Anna Vladimirovna (Kolomna, Home school InternetUrok.ru ).

"The Shooting Party" by A. P. Chekhov: receptive and interpretative potential in modern Russian literary criticism.

Larionova Marina Chengarovna (Rostov-on-Don, Federal Research Center Southern Scientific Center of the Russian Academy of Sciences).

The story of A.P. Chekhov "In the Cart": codes of traditional culture.

Kondratieva Victoria Viktorovna (Taganrog, Taganrog Chekhov Institute (branch) of the Russian State Economic University (RINH)).

The story of A.P. Chekhov "The Willow Tree": features of spatial and temporal organization.

Bushkanets Liya Efimovna (Kazan, Kazan Federal University).

"Ionych" in the literary reputation of A.P. Chekhov: the story and critics.

Ivanova Natalia Fedorovna (Veliky Novgorod, Yaroslav-the-Wise Novgorod State University).

"Ionych" in the literary reputation of A.P. Chekhov: the history of school and university study of the story.

Stefan Lipke (Moscow, St. Thomas Institute).

Orthodox fasting and spiritual traditions in the works by A.P. Chekhov: based on the story "The Student".

Semenova Natalia Valeryevna (St. Petersburg, St. Petersburg State University).

Linguistic experiments as a strategy for researching Chekhov.

January 27

SECTION "CHEKHOV AND..."

Dolzhenkov Pyotr Nikolaevich (Moscow, Lomonosov Moscow State University).

"One has to be indifferent": to the problem of "Chekhov and the Stoics".

Darvin Mikhail Nikolaevich (Moscow, Russian State University for the Humanities).

Once again about two coffinmakers in Russian literature (Pushkin's "The Coffinmaker " and Chekhov's "Rothschild's Violin").

Dubinina Tatyana Gennadievna (Moscow, Moscow City Pedagogical University).

Hamlet in A.P. Chekhov's Dramatic art: the Turgenev context.

Golovacheva Alla Georgievna (Moscow, A. A. Bakhrushin State Central Theatre Museum).

Anton Chekhov and Ivan Shcheglov (Leontiev): hidden dialogues in the context of the play "Three Sisters".

Farber Freneli Fritsovna (Corvallis, Oregon USA, Oregon State University).

Chekhov and Vampilov (the language of the report is English).

Kapustin Nikolay Venalyevich (Ivanovo, Ivanovo State University).

Chekhov's pages in "Apotheosis of Groundlessness" by L. Shestov.

Burmistrova Yulia Dmitrievna (Moscow, Lomonosov Moscow State University).

Chekhov on French national character: the question of the writer's approach to national characteristics in his work.

Kozhin Vladislav Vladimirovich (Yalta, Crimean Literary and Artistic Memorial Museum-Reserve).

The art of Chekhov and Wagner. The pathway to the truth in a system of similarities and differences.

Martynova Tatyana Viktorovna (Donetsk, Donetsk National University, Donetsk Republican Art Museum).

Existential crisis in the poetics of Chekhov,  Tchaikovsky, Levitan.

Alexey Daniilovich Semkin (St. Petersburg, Russian State Institute of Performing Arts, SLM "XX century").

"Montigomo, Hawk Claw, aka Stepka, the master's son. "The Boys" by A. P.Chekhov and "Great Travelers" by M. M. Zoshchenko".

Nichiporov Ilya Borisovich (Moscow, Lomonosov Moscow State University).

A.P. Chekhov as read by A. Solzhenitsyn.

Morozova Ksenia Igorevna (Samara, Samara University), Mikhail A. Perepelkin (Samara, Samara University, Samara Literary Museum).

"Honorable way-out": A.K. Goldebaev and his story "Quarrel".

Golovchiner Valentina Egorovna (Tomsk, Tomsk State Pedagogical University).

The Prozorov family in Natasha's Perception, or Chekhov's Text as a context in N. Moshina's play "A Pink Dress with a Green Belt".

Larisa Sergeevna Kislova (Tyumen, Tyumen State University).

The ghost of the "Cherry Orchard" in the dramatic composition of Ksenia Dragunskaya.

Regeci Ildiko (Debrecen, University of Debrecen).

A role-playing poem as a form of dialogue with the works by A.P. Chekhov.

SECTION "FROM EXPERIENCE OF TEACHING CHEKHOV "

Olga Mikhailovna Skibina (Orenburg, Orenburg State Pedagogical University).

Studying Chekhov works at school: from the experience of working with teachers of literature.

Astafyeva Olga Vasilyevna (St. Petersburg, A.I. Herzen Russian State Pedagogical University).

Reception of Chekhov's story "Van’ka" by different age groups: schoolboy, student, teacher.

Organzis Panagiotis (Moscow, Russian State University for the Humanities).

Stories by A.P. Chekhov in the lessons of Russian as a foreign language in the Greek audience.

Lapushin Radislav Efimovich (University of North Carolina at Chapel Hill).

Overcoming "vulgarity" and "grief": From experience of teaching Chekhov at an American university.